Editions-Multiples (Ltd)
DEPERO FUTURISTA Fortunato Depero
Libro imbullonato [Bolted book]
Dinamo Azari, Milano
Rovereto, tipografia della Dinamo Mercurio, Rovereto [1927-1928]
24 x 32 cm
Book in its original editorial guise with two thick cardboard plates held together by bolts and nuts, complete with cotter pins.
Contains 234 pages with double leaf, printed on various types of paper, including colored ones, numerous photo-reproductions of which 2 in colour, 1 folded leaf (single leaf fol) Die-cut editorial cover bound with two aluminum bolts, front plate printed in black and silver. Beautiful copy of the first edition of this essential masterpiece of Italian Futurism, a jewel of graphic and editorial inventiveness and a true book-fetish for collectors. Example 929 of 1,000. Polychrome, free and daring, the bolted book, so called from the idea of its publisher Fedele Azari to bolt the cover, is the manifesto of the age of machines and their influence on the Futurist movement.
Sold – Non disponibile / Not available
George Brecht
Chemistry of Music
EXPERIMENTAL ENLARGEMENT from Water Yam, Untitled (four chemists)
Black and gray serigraphy on white cloth
75 x 115 cm
1988, Francesco Conz Editore Verona
Bibliografia:
Henry Ruhé, “George Brecht. The Editions”, Amsterdam-Verona 2005, No. M75.
Stato di conservazione: Ottimo
Esemplare 18/20
Prezzo su richiesta ( price on request)
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Monsters Are Inoffensive
Robert Filliou
Daniel Spoerri
Roland Topor
Monsters Are Inoffensive
Robert Filliou
Daniel Spoerri
Roland Topor
Fluxus, Division of Implosion, “Flux Post Card”1967
22 printed postcards 10.8 x 16.2 cm.
Each card has a different small statement on verso
Photos by Vera Spoerri
very good condition despite 2 postcards are imprinted with the color of the brown band that holds the specimen, without plexiglass container
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Matthew Barney: From Mud, a Blade – Limited Edition Multiple
Guggenheim, Berlin, 2006
(Limited edition of 100)
Double-ply card made of Brazilian rosewood and HDPE (card format 10.5 x 14.8 x 0.4 cm) as the cover of a set of ten postcards with reproductions from the project “DE LAMA LÂMINA”. Polyethylene side of the card stamped by the artist. Cover of the postcard box with a detail from “Brazilian fundraiser”.
The rarest of barney’s editions. Matthew Barney’s edition is derived from his film project “DE LAMA LÂMINA” (2004), which explores and subverts the principle of duality so essential to Western culture. A high-grade, rare Brazilian rosewood backed by a layer of hand-embossed whitish HD polyethylene serves as both an art object and a cover for a set of ten evocative pictures from “DE LAMA LÂMINA” (which was filmed during Carnival in Salvador, Bahia).
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https://www.complusevents.com/de-lama-lamina-by-matthew-barney/
Gianfranco Ferroni
Natura Morta 2001
Litografia 320 x 350 mm
Galleria Ceribelli Bergamo
https://www.galleriaceribelli.com/
Bibliografia:
Gianfranco Ferroni. Litografie. Catalogo Ragionato
A cura di Arialdo Ceribelli e Chiara Gatti. Con un testo di Marco Vallora
cm 19,5×27, 240 pag. 2006
Lubrina Editore Bergamo
Esemplare a pag. 164 del catalogo ragionato
certificato di autenticità
Stato di conservazione: Ottimo
Esemplare 78/100
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